DAN BROWN’S “THE LOST SYMBOL”, MORE CONTROVERSIAL THAN “DA VINCI CODE” AND “ANGELS & DEMONS”! SEPTEMBER 15, 2009!

DanBrown_LP_book

For all Religious Thriller fans, there is a new thriller novel by Dan Brown to be released on September 15, 2009. It is entitled “The Lost Symbol“, formerly known as “The Solomon Key”. This is a sequel of “The Da Vinci Code” and as expected, Robert Langdon will be the hero.

There are hints that will be discussed in the novel. Either of them will be Robert Langdon’s newest adventure and discovery:

1. It is all about Freemasons concerning the New World Order. It maybe Freemason links to the U.S. Government.

2. Newest discoveries from the ruins of ancient temple of Solomon that will devastate the foundations of the Church.

3. It is all about Demonology, as the first known title “The Solomon Key”, tackles about the LEMEGETON CLAVICULA SALOMONIS (The Lesser Key of Solomon) which is a known book of Demons.

The setting of the novel is in Washington D.C. US publisher Knopf Doubleday Publishing announced the release of the controversial novel on September 15, 2009. I’m sure Filipino Dan Brown fans can’t wait for this exciting thriller!

Are you ready to find THE LOST SYMBOL?

2009 DON CARLOS PALANCA MEMORIAL AWARDS IN LITERATURE IS NOW ACCEPTING ENTRIES. DEADLINE OF SUBMISSION IS ON APRIL 30.

Posted by gwen at the UPFI yahoogroup:

59th Palanca Awards Now Accepting Entries

Introduces `Poetry for Children’ As New Category

 

On its 59th year, the Carlos Palanca Memorial Awards for Literature (Palanca Awards), the country’s most prestigious and longest-running literary contest, officially opens on March 1, 2009.

 

This year, the Palanca Awards announces the introduction of two new categories – Poetry Written for Children in the English Division and Tulang Isinulat Para sa mga Bata in the Filipino division.

 

In these new categories, envisioned to encourage the development of a body of poetry for young children, an entry must consist of a collection of at least 10 but not more than 15 poems. It may deal with any subject and must be comprehensible within the grade-school reading level of children ages 6-12, but accessible in its oral form by younger children.

 

The complete regular categories under which participants can submit their entries are: English Division – Short Story, Short Story for Children, Essay, Poetry, Poetry Written for Children, One-act Play, Full-length Play; Filipino Division – Maikling Kuwento, Maikling Kuwentong Pambata, Sanaysay, Tula, Tulang Isinulat Para sa mga Bata, Dulang May Isang Yugto, Dulang Ganap ang Haba, and Dulang Pampelikula; Regional Languages Division – Short Story-Cebuano, Short Story-Hiligaynon and Short Story-Iluko. Each contestant may submit only one entry per category.

 

Meanwhile, in the Kabataan Division, Palanca Awards’ special division for young writers below 18 years old, the Kabataan Essay theme in the English category is “How can the Filipino youth help build a globally competitive nation?” and in the Filipino category “Paano makatutulong ang kabataang Filipino sa pagtataguyod ng isang maunlad na bansa na maihahanay sa mga nangungunang bayan sa buong mundo?”

 

 

The literary contest is open to all Filipino (or former Filipino) citizens, except current officers and employees of its organizing body, the Carlos Palanca Foundation, Inc.  Contest rules and official entry forms are available at Palanca Awards’ official website, www.palancaawards.com.ph.

 

Entries with complete requirements may be submitted to the Foundation’s office at the 6th Floor, One World Square Bldg., 10 Upper McKinley Road, McKinley Hill Town Center, Fort Bonifacio, Taguig City or may also be entered online through the Palanca Awards website or sent through email at palancaawards@yahoo.com.

 

Deadline of submission of entries for this year’s awards is midnight of April 30, 2009. Winners will be announced on September 1, 2009.

 

For further information, you may call telephone number 856-0808.

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“KAPITAN SINO”: Bob Ong’s new book title!!!

I just recently had a conversation with one of the insiders of VisPrint Enterprise and I ask what is the title of Bob Ong’s book. She said that Bob Ong’s new book is entitled “KAPITAN SINO“. Look also to Visprint website at http://visprint.net and it is posted there… from the right side of the page.

Can’t wait for KAPITAN SINO?

CALL FOR PAPERS: The 10th Philippine Linguistics Congress 2008

taken from panitikan.com.ph

 

10-12 December, Balay Kalinaw Conference Hall
University of the Philippines – Diliman

The UP Department of Linguistics will hold the 10th Philippine Linguistics Congress on December 10-12, 2008 at the Balay Kalinaw Conference Hall, University of the Philippines, Diliman, Quezon City.

The conference aims to focus on the most current advances in the study of Philippine languages, and in the application of linguistic theory to anthropology, sociology, psychology, language planning, translation and language education in the Philippines.

A registration fee of two thousand five hundred pesos (PhP2, 500.00) will be charged per participant or one thousand five hundred (PhP1, 500.00) for students, inclusive of meals (lunch, morning and afternoon snacks), copies of the conference papers, and conference materials (pens, notepads, bags, identification cards, etc).

For inquiries, contact:

Jay-Ar Igno
Telefax: (632) 926-9887
Department of Linguistics
Landline: (632) 981-8500 loc. 2128
College of Social Sciences and Philosophy
Email: ling@kssp.upd. edu.ph

University of the Philippines Diliman
jr_lingg@yahoo. com
Bulwagang Rizal 2110, Roces Ave.,
Diliman, Quezon City

Scholars from academe and language advocacy groups who have conducted researches on Philippine linguistics are invited to submit their abstracts for the Congress. Abstracts may be in Filipino or in English, and should be no longer than two (2) pages, data and references included.

Along with the abstract, please send a separate page indicating:
Paper Title;
Name(s) of Author(s) and Institutional Affiliation;
Contact details (full postal address, telephone/ cellphone number, and e-mail address) through which notification of acceptance shall be made.

Abstracts should be sent electronically to ling@kssp.upd.edu.ph on or before 29 August 2008.

Key dates:
29 August 2008- Submission of Abstracts
12 September 2008- Notification of Acceptance of Paper Abstracts
7 November 2008- Submission of Full Paper

U.P. CENTENNIAL LITERARY AWARDS WINNERS ANNOUNCED

taken from panitikan.com.ph

The U.P. Institute of Creative Writing announces the winners of the Gawad Likhaan: U.P. Centennial Literary Awards.

In the English division, the winners are: Jose Marte A. Abueg (poetry, for his collection, “ Bird Lands , River Nights and Other Melancholies”); Criselda D. Yabes (fiction and creative nonfiction, for her novel, “Below the Crying Mountain,” and her nonfiction narrative, “Sarena’s Story: The Loss of a Kingdom”).

In the Filipino division, the winners are: Jerry B. Gracio (poetry, for his collection, “Aves”); Jose Rey Munsayac (fiction, for his novel, “Duguang Kamay sa Nilulumot na Pader”; and Lualhati M. Abreu (creative nonfiction, for “Agaw Dilim, Agaw Liwanag”).

There is only one grand prize of P200,000 for each of the six categories. Award ceremonies will be held on Tuesday, July 8, at 4:30 pm at the Pulungang Claro M. Recto, Faculty Center , UP Diliman. The affair is open to the public.

All entries to the contest were book-length, previously unpublished work. The double winner, Yabes, is a U.P. Journalism graduate, and a freelance journalist and writer. She has worked for AP, Reuters, Newsweek, The Washington Post , and The Economist ; and has written three other books including one on the coup d’etats of the 1980s, her personal sojourn in Europe, and the almost extinct Pala’wan syllabary.

Abueg, a graduate of the UP School of Economics , is managing editor of INQUIRER.net as well as overall editor, in charge of INQUIRER.net Money website. He has won other awards, like the Carlos Palanca Awards and the Philippines Free Press Literary Awards.

Gracio, a U.P. Malikhaing Pagsulat alumnus, is a writer of screenplays, and won a National Book Award in 2006 for Apokripos. Abreu does research work and writing for non-government organizations in Metro Manila and Mindanao . Munsayac, editor of the weekly Bulacan paper Dyaryong Pilipino Luzon Times, shared the first prize with Jun Cruz Reyes in the 1998 National Centennial Literary Awards for his novel, “Ang Aso, ang Pulgas, ang Bonsai at ang Kolorum.”

The U.P. Centennial Commission set up and funded the Gawad Likhaan as part of the UP Centennial Celebrations, to highlight the University’s contribution to the advancement of Philippine letters, through the prestigious UP National Writers Workshop held by the UP Institute of Creative Writing; its various ground-breaking publications; and the creative writing programs which have produced so many of the country’s writers.

The contest was administered by the UP Institute of Creative Writing. Members of the panel of judges were: J. Neil C. Garcia, Ricardo M. de Ungria, and Gémino H. Abad (poetry in English); Cristina Pantoja Hidalgo, Charlson Ong, and Amelia Lapeña-Bonifacio (fiction in English); Jose Y. Dalisay, Jr., Rosario Cruz Lucero, and Vicente Garcia Groyon (creative nonfiction in English); National Artist Virgilio S. Almario, Vim Nadera, and Romulo Baquiran, Jr. (tula); Jun Cruz Reyes, Roland Tolentino, and Soledad Reyes (nobela o maikling katha); and National Artist Bienvenido Lumbera, Fanny Garcia, and Nicanor Tiongson (sanaysay).

The major sponsor of the Award ceremonies is the Book Development Association of the Philippines through its president, Lirio Sandoval. Other sponsors are the Don Carlos Palanca Memorial Awards for Literature, San Miguel Corporation, and Tanduay Distillers.

GENERAL EDITORIAL and PRODUCTION GUIDELINES for TRADE BOOKS: ANVIL PUBLISHING

To all newbie writers who are looking for publishers, Anvil Publishing will be the answer to your question. Read some guidelines for publishing taken from the official website of Anvil Publishing (http;//www.anvilpublishing.com)

FIRST, AN EVALUATION

            Submit a HARD COPY of your manuscript (MS). Always keep the original copy of your work. Do not submit diskettes or other electronic files until the project has been approved.
            We try our best to evaluate all kinds of work, but our publishing program mainly considers the more popular trade genres: self-help, reference, biographies, literary anthologies, cookbooks, inspirational, humor.
            There are no exact criteria for a good piece of work. That’s why we ask help from in-house as well as genre experts and other readers to evaluate the publish ability of a submission. Generally, all evaluation is done at the beginning of a year, when we firm up our publishing line-up.

 

SO YOU’VE GOT WHAT IT TAKES

            We find your book a worthwhile project. We’ll meet with you to discuss a basic BOOK PLAN: the format we think is best suitable for your book, how to design it, how we should edit and refine the text, the general work timetable to follow. After all concerns are settled, we’ll let you sign a Memorandum of Agreement (MOA) that stipulates copyright, print runs, royalties, etc.. When this is done, we start working on your manuscript.

 

Step-by-Step: PRE-PRESS  

1. Encoding
     
      We expect all submissions to be encoded already: that is, typewritten double-spaced using a word processing computer software. Microsoft Word is the best software for this job.
     
      Submit to us a hard copy together with an electronic file (in portable media: floppies, ZIPs or CDs) of your MS. If we noted in the evaluation that the work has potential but still needs a little improvement, we send it to an editor/copyeditor.

 

2. Editing
     
      From the editor, the MS is sent back for you to see the changes. If you’re amenable to the changes, then we go straight to the next step. Otherwise, the editor and Anvil will meet with you to discuss how we can all agree on the changes to come out with a well-oiled piece.

 

3. Design
     
      The edited manuscript goes to the book designer. Sometimes, we hire separate designers for the cover and the interior. Copies of the ms are then sent to them so they can layout and present design samples. Both you and the publisher will have a say on the design of the book.

 

4. Proofs to CRC
     
      When a design has been approved, it then goes to a type- setter who’ll do the first set of proofs (1/P). This set will then go to a proofreader for the 1st read. When errors are not significant, this set with the proofreader’s marks will be sent to you for your initial review. This is the best time to correct and make major changes in the MS.
     
      The first proofs are then sent back to Anvil. Anvil inspects this set before returning it to the typesetter. The typesetter then works on the second set of proofs (2/P). When errors are minimal, the typesetter will output the second set of proofs as the final camera-ready copy (crc). This is sent back to the proofreader and/or to you for a  2nd read. If the errors are significant and need extra attention, a third set of proofs (3/P) is submitted by the typesetter. This is also the last time to correct the MS without it costing you.
     
      Simultaneous with this is the preparation of the cover. The designer (who may be different from the one who will design the interior) will do the final art, according to your and Anvil’s recommendations. S/he will submit to Anvil a complete set of mechanicals for the cover: a color hard copy of the full cover spread together with its electronic file. These mechanicals are then sent to the color separator who will submit production-ready negatives and color progressive proofs back to Anvil.
     
      When the crc and the cover color separation negatives are finally available, these are submitted to Anvil’s printing management assistant (pma). The PMA will review the materials, negotiate quotes with printing presses and pre-press suppliers, and prepare a costing layout to come up with a retail price of the book. When these have been done, the crc of the book is submitted to the printing press.

 

5. Production at the Printer’s
     
      One of the first assignments of the printing press upon the receipt of the crc and coveR negatives is to inspect the materials and alerts Anvil if the materials are incomplete and problematic.
     
      When all materials are okay, the printing press commences work on your book.

 

Step-by-Step: PRINTING, A Quick Guide

      Important! Printing a regular trade book takes an average of 4 weeks to finish. Titles with color photos and more elaborate designs and specifications require much more time to produce.

 

1. Photography and stripping
      The typeset pages and visuals are photographed to produce negatives. These negatives are then assembled as flats consisting of signatures in preparation for plate making.

2. Blueprinting
      When the flats are done, they are reproduced as blueprinted pages. A blueprint is the closest thing to a finished book we get to see at this point. A blueprint of your book will be sent to you for your signature as approval to print. The signed blueprint is returned to the press and will serve as the guide for the next steps. Costs of any changes or new corrections in the blueprint will strictly be charged to the author. It is only when the approved blueprint has been turned over to the press that the book launch  and/or other related promotional event can be planned.

3. Plate making to Printing
      The flats are cleaned up and sent to the plate maker. These flats are reproduced onto printing plates. These plates are then clamped to a printing machine where the images on plates are reproduced onto paper.

4. Binding to Finishing
      After printing, every signature that makes up a copy of the book is gathered, bound, and COVERED. Every bound and covered copy of the book is trimmed to its specified size and goes to quality control for a last cleanup and inspection.

5. Packing
      After inspection, copies of the book are packed and sent to the Anvil warehouse, ready for distribution to stores.

 

NOT THE END OF IT

            Copies of your new book will usually be introduced to the public via a book launching, press announcement or a related event. They are also placed prominently in National Bookstore branches and other outlets nationwide and overseas. As author,  you are expected to help Anvil promote your book through book signing sessions, seminars or workshops, book sales, guestings on TV and radio talk shows, etc.

 

A FRIENDLY FINAL NOTE

            Anvil takes extra care of your manuscript every step of the way. Like you, we work hard to produce a book that we hope will be referred to and talked about fondly even in the future. But working towards this goal is not always easy. There will always be factors that are hard to control like economics, time, and even the imperfection of machines and manpower.
            Anvil is always open to discuss concerns and will always find ways to troubleshoot them, but always, hopefully, with your help and understanding. After all, a well-written and attractive book on the shelf is always a collaborative effort of author and publisher.

If you are interested, please visit their website. You might be the next bestselling author!

Visual Print Enterprises is now accepting various literary genres for publication!

VISUAL PRINT ENTERPRISE, a publishing firm known for publishing books such as Bob Ong Books, KikoMachine Komiks and Zsa-Zsa Zaturnnah, is now  accepting a variety of literary genres, both in English and in Filipino for publication. However, VPE favor works that are very Pinoy in taste, evocative of our society and culture, and/or set in Philippine background.

The manuscript should be at least 90% complete upon submission of the proposal.

Intially, a Letter of Proposal is required, sent through email or via postal mail. Included in the proposal are the following:

  1. Relevant information about the author
  •  
    • Background in writing/publishing
    • Contact details
  1. Information about the manuscript
  •  
    • Brief summary
    • 2 sample chapters, or sample pages not more than 10 pages
    • Proposed design of the physical layout of the book

 

  1. Sales pitch
  •  
    • Target market of the book
    • Marketability


If your proposal is convincing enough, we’d request for a printed copy of the manuscript for our review. Please enclose a self-addressed stamped envelope in case you’d like your manuscript returned.

Allow this publishing firm a month, at least, before sending a follow-up on your proposal.

TAKEN FROM: http://visprint.net